As a teen, I fell in love with narrative history — the use of classic storytelling techniques, such as characters, scenes, and dialogue — to write compelling histories. My first crush was on Barbara Tuchman, a journalist-turned-author who won the Pulitzer Prize for her books The Guns of August and Stillwell and the American Experience in China.
A history teacher assigned me to read A Distant Mirror, a book about what Tuchman called “the calamitous 14th century.” Her writing was so evocative to my eighteen-year-old imagination: I could almost feel and see the fine particles dust kicked up during the jousting matches she described.
