I’ve walked or biked past our local “castle” hundreds of times: Its Romanesque Revival campus perched on a hillside above my home town has a magical quality to it, particularly at dusk. In the days when our boys were reading J.K. Rowling’s books, it seemed as if Harry Potter might swoop through it spires any moment during a Quidditch match.
The San Francisco Theological Seminary
One morning, in June of 2016, an e-mail popped into my inbox from the grandniece of Donaldina Cameron, one of the main characters in The White Devil’s Daughters, my nonfiction account of the women who fought slavery in San Francisco’s Chinatown.
I’d already been researching and writing my book for more than three years by that time. Ann told me that while cleaning out her brother’s home for a move, she’d discovered a box filled with photos, letters, and other genealogical material about her great aunt Dolly, as Donaldina was known.
Cameron family materials dating to the 1840s Family
At this year’s annual gathering of the Community of Writers at Squaw Valley, I was honored to give the opening talk. Here are my remarks.
***
I’m so happy to be here… to help celebrate the rollicking and generous spirit that has infused our Community all these years.
Julia Flynn Siler
How many first-timers are here today? Raise your hands…
Well, for you newbies, you’ll see what I mean about community spirit here during the Follies later in the week. Or you may discover it while connecting with other writers over dinner or while hiking on Thursday with your fellow work-shoppers.
On Saturday, May 6th, several hundred protestors gathered in San Francisco’s historic Portsmouth Square in Chinatown carrying such signs as “Remember 1882” and “2017 Has Become 1882.”
They were there to mark the 135th anniversary of the passage of the Chinese Exclusion Act of 1882, the first law implemented to exclude a specific ethnic group from immigrating to the U.S. It was one of the most shamefully racist pieces of legislation ever enacted in America and was repealed in 1943.
At opening night of the 2017 Tennessee Williams Festival in New Orleans, I met a librarian who also happens to be a champion ham kicker.
Pamela D. Arceneaux at the Williams Research Center in New Orleans
She shimmied her way onto the stage of Le Petit Theatre du Vieux Carre in New Orleans in a sparkly black top and full-length skirt. Channeling the spirit of one of her heroes, Mae West, she delivered a lively and ribald talk on a subject that has fascinated her for some 35 years: the “blue books” of Storyville, the red-light district of New Orleans that flourished from 1897-1917. The “blue books” were guidebooks to the prostitutes and brothels in the district
“Get your papers!” cried the delivery boys and girls, carrying rolled up copies of a Hawaiian newspaper printed especially for that evening’s show. Wearing natty caps and suspenders, they ran through the aisles clutching copies of the “Star of the Pacific,” yelling, “Get your papers!”
Thus began an extraordinary one-night performance of the musical “Kingdom Denied,” which was written by kumu hula Mark Keali’i Ho’omalu, founder of the Academy of Hawaiian Arts in Oakland, Ca. I’d interviewed Mark for a page one story in the Wall Street Journal last year about mainland hula troupes headlined “Aloha, Lady Gaga.” (You can watch the video that accompanied the story here.)
September 2 is the birthday of Hawai’i’s last reigning monarch, Lili’uokalani. Born in a grass house in 1838 and adopted by Hawai’i’s ruling dynasty, the infant girl who would become Hawai’i’s last queen began her tumultuous life 174 years ago at the base of an dormant volcano in Honolulu.
Queen Lili’uokalani, Hawai’i State Archives
For the past several years, historians, Hawaiian cultural practitioners, and others who keep Lili’uokalaini’s memory alive, have gathered at the grounds of ‘Iolani Palace on her birthday to lead walking historical walking tours in an event called Mai Poina (Don’t Forget.) The tour on her birthday sold out but there are still a few spots left this coming weekend, September 7-9.
The ancient Polynesians felt profound respect for the power of the sea. Their custom was to carry ti leafs with them when they went on risky journeys. As Susan Casey reports in her masterful book, The Wave, California-born but Hawaii-bred surfing legend Laird Hamilton, perhaps superstitiously, always carries a ti leaf along with him as he hunts down the world’s monster waves. “You take the leaf out,” Hamilton told her, “and the leaf brings you home.” So far it’s worked for him.
I just spent the past few days at the 21st Annual Book Passage Travel Writers & Photographers Conference. I was on a panel with Andrew McCarthy, who made his name as an actor in “Pretty in Pink,” “St. Elmo’s Fire,” and “Less Than Zero,” and is now an award-winning travel writer for National Geographic Traveler and other publications. I also discussed the “Art of Attention” on a panel with veteran travel writers David Farley, Larry Habegger, and Georgia Hesse.
The story begins in November of 1957. The chief photographer for the Honolulu Star-Bulletin, Warren Roll, climbed into the passenger seat of a small plane in Kauai. The pilot took off, heading towards a 73-square-mile privately-owned Hawaiian island of Niihau.
The plane landed roughly, smashing its landing gear and splintering its propeller. Roll, carrying his camera gear, left the pilot and set off across the island in search of the island’s one village. The Robinson family, who by that time had owned the island for nearly a century, had restricted access to it for decades. Roll, an unusually enterprising photojournalist, had successfully penetrated what was by then known as the “Forbidden Island.”
