Early on in the research for The White Devil’s Daughters, I learned about a horrific aftermath to the story I was writing. My focus was on a group of women residents and staffers of a historic safe house who fought sex slavery at the turn of the 20th century. One day, while sifting through case files with the home’s retired executive director, she suddenly turned to me and asked, do you know about Dick Wichman?
Remembering Judy Yung
Judy Yung’s death this month marks the passing of a gifted and generous scholar. Her groundbreaking work in the history of Asian American women paved the way for a new generation of thinkers and writers.

Historian Judy Yung, photo by Laura Morton, courtesy of San Francisco Chronicle
Along with fellow San Franciscans Him Mark Lai and the Philip P. Choy, Judy Yung made an enormous contribution to our understanding of the Asian American experience. Her focus was on women, a group that had been largely been overlooked by scholars. Judy died on December 14 at her home after a fall, at the age of 74.
Talking with Min Jin Lee
Over this past week, I’ve been immersed in Pachinko. To be specific, I had the fortunate assignment to read Min Jin Lee’s masterful novel Pachinko, which is a family saga about the world of Koreans living in Japan.
I’ve always loved the sprawling social novels of the 19th century – Charles Dickens’ Oliver Twist and Hard Times, Victor Hugo’s Les Misérables, and Mark Twain’s Huckleberry Finn.
In the 20th century, perhaps the most famous social novel was John Steinbeck’s The Grapes of Wrath, which exposed the hardships of migrant farm workers. These are all works that explore pressing social problems through the lives of characters. They’re also sometimes called protest novels, because they often aim to expose a social injustice.
Overcrowded prisons in our back yards

San Quentin State Prison, in San Quentin, Calif., March 13, 2019. (Jim Wilson/The New York Times)
I wrote this essay on San Quentin for an online class I’m taking titled “Reading and Writing the Very Short Essay.” It’s taught by one of my favorite authors, Lauren Markham. It was published in Sunday’s Sacramento Bee print edition and other McClatchy papers throughout the state on July 5, 2020 and appeared online a few days before that.
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Honoring Hawaii’s Queen
At a time when statues are toppling across the nation, one work of public art stands tall.
It is the eight-foot-tall bronze of Hawaii’s Queen Lili’uokalani, who faces the state Capitol in Honolulu. This beautifully rendered artwork, by the American realist sculptor Marianna Pineda, is even more powerful today than it was when it was erected in the 1980s.
If anything, this regal public monument become even more beloved over time. To understand why, watch this PBS American Masters short documentary on the Queen that’s just been released. It’s a wonderful and very moving.
The Bible as Literature (vs. Political Prop)
As a high school freshman many years ago, I took a course titled “The Bible as Literature.” It wasn’t exactly in the spirit of that freewheeling era. At a time when many of us were listening to the Grateful Dead and wearing our Birkenstock sandals with rainbow socks, we were also studying the Book of Job and the Song of Solomon.

Maya Angelou, who wove the rhythm and imagery of the Bible into her writing
Unladylike2020
Women’s lives have long been overlooked by historians, especially the lives of women of color. But a new PBS project, UnladyLike2020, is producing 26 documentary shorts of unsung women heroes of American history.

Tye Leung Schulze, artwork by Amelie Chabannes
Part of PBS’s American Masters series honoring the 100th anniversary of women’s suffrage, just aired a film about Tye Leung Schulze. She was the first Chinese American woman to work for the U.S. Federal Government and an advocate for trafficked women. You can watch the film here.
Awarded Two Golden Poppies!
Each year, the Northern California Independent Booksellers Association (NCIBA) presents its Golden Poppy Book Awards “to recognize the most distinguished books written by writers and artists who make Northern California their home.”
I learned yesterday that The White Devil’s Daughters, my history of a pioneering group of women in Chinatown that fought human trafficking at the turn of the 20th century, won Golden Poppy awards in two categories: regional interest and nonfiction.
This is an honor bestowed by the people who nourish Northern California’s thriving literary culture: its independent booksellers. The NCIBA has recently joined with its Southern California counterparts to form the California Independent Booksellers Alliance (Caliba.) Thank you!
Update on My United Nations Trip….
March is Women’s History Month and I had planned to participate by telling the story of a group of pioneering women who fought human trafficking…but, alas, our panel at the U.N. Women’s Conference in New York was just cancelled due to concerns over the coronavirus.
As part of a delegation of women to the United Nation’s CSW64, the Commission on the Status of Women. I was planning to take part in a panel to discuss the late 19th and early 20th century efforts to combat human trafficking detailed in my book, The White Devil’s Daughters: The Women Who Fought Against Slavery in San Francisco’s Chinatown, on March 12 in New York City, as part of the parallel NGO CSW Forum.
Two Historic “Safe Houses”
Cameron House, at 920 Sacramento Street in San Francisco, is famous as the place where thousands of vulnerable girls and women found their freedom in the late nineteenth and early twentieth centuries. It opened its doors in 1874 and is the setting for my book, The White Devil’s Daughters.
But it was not the first organization to supporting trafficking survivors in Chinatown.
That honor goes to the Methodist Mission Home, now located a few blocks away at 940 Washington Street. It opened its top floor two years earlier, in 1870, to provide a refuge to Chinese girls and women who’d been trafficked into labor or sex slavery. Like Cameron House, the institution now known as Gum Moon Residence Hall & Asian Women’s Resource Center still provides services to vulnerable women.