San Quentin State Prison, in San Quentin, Calif., March 13, 2019. (Jim Wilson/The New York Times)
I wrote this essay on San Quentin for an online class I’m taking titled “Reading and Writing the Very Short Essay.” It’s taught by one of my favorite authors, Lauren Markham. It was published in Sunday’s Sacramento Bee print edition and other McClatchy papers throughout the state on July 5, 2020 and appeared online a few days before that.
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At a time when statues are toppling across the nation, one work of public art stands tall.
It is the eight-foot-tall bronze of Hawaii’s Queen Lili’uokalani, who faces the state Capitol in Honolulu. This beautifully rendered artwork, by the American realist sculptor Marianna Pineda, is even more powerful today than it was when it was erected in the 1980s.
If anything, this regal public monument become even more beloved over time. To understand why, watch this PBS American Masters short documentary on the Queen that’s just been released. It’s a wonderful and very moving.
As a high school freshman many years ago, I took a course titled “The Bible as Literature.” It wasn’t exactly in the spirit of that freewheeling era. At a time when many of us were listening to the Grateful Dead and wearing our Birkenstock sandals with rainbow socks, we were also studying the Book of Job and the Song of Solomon.
Maya Angelou, who wove the rhythm and imagery of the Bible into her writing
Women’s lives have long been overlooked by historians, especially the lives of women of color. But a new PBS project, UnladyLike2020, is producing 26 documentary shorts of unsung women heroes of American history.
Tye Leung Schulze, artwork by Amelie Chabannes
Part of PBS’s American Masters series honoring the 100th anniversary of women’s suffrage, just aired a film about Tye Leung Schulze. She was the first Chinese American woman to work for the U.S. Federal Government and an advocate for trafficked women. You can watch the film here.
Each year, the Northern California Independent Booksellers Association (NCIBA) presents its Golden Poppy Book Awards “to recognize the most distinguished books written by writers and artists who make Northern California their home.”
I learned yesterday that The White Devil’s Daughters, my history of a pioneering group of women in Chinatown that fought human trafficking at the turn of the 20th century, won Golden Poppy awards in two categories: regional interest and nonfiction.
This is an honor bestowed by the people who nourish Northern California’s thriving literary culture: its independent booksellers. The NCIBA has recently joined with its Southern California counterparts to form the California Independent Booksellers Alliance (Caliba.) Thank you!
March is Women’s History Month and I had planned to participate by telling the story of a group of pioneering women who fought human trafficking…but, alas, our panel at the U.N. Women’s Conference in New York was just cancelled due to concerns over the coronavirus.
As part of a delegation of women to the United Nation’s CSW64, the Commission on the Status of Women. I was planning to take part in a panel to discuss the late 19th and early 20th century efforts to combat human trafficking detailed in my book, The White Devil’s Daughters: The Women Who Fought Against Slavery in San Francisco’s Chinatown, on March 12 in New York City, as part of the parallel NGO CSW Forum.
Cameron House, at 920 Sacramento Street in San Francisco, is famous as the place where thousands of vulnerable girls and women found their freedom in the late nineteenth and early twentieth centuries. It opened its doors in 1874 and is the setting for my book, The White Devil’s Daughters.
But it was not the first organization to supporting trafficking survivors in Chinatown.
That honor goes to the Methodist Mission Home, now located a few blocks away at 940 Washington Street. It opened its top floor two years earlier, in 1870, to provide a refuge to Chinese girls and women who’d been trafficked into labor or sex slavery. Like Cameron House, the institution now known as Gum Moon Residence Hall & Asian Women’s Resource Center still provides services to vulnerable women.
One of the unexpected pleasures of my book tour has been meeting readers whose own life stories overlap with the characters I write about in The White Devil’s Daughters.
After a recent talk I gave at the San Francisco Theological Seminary , a retired Chinese American woman named May Lynne Lim came up to introduce herself to me. We chatted briefly and she handed me a sealed envelope with my name inked onto it in careful handwritten script.
Tye Leung Schulze, courtesy of the Los Angeles Public Library
The Rev. Harry Chuck can trace his family’s history at 920 Sacramento Street back to the late 19th century.
That’s when his grandmother was sold into slavery by her impoverished family in China. Her owners sent her to San Francisco but she was intercepted by immigration officials before she reached one of Chinatown’s many brothels. They brought her instead to the Presbyterian Mission Home on 920 Sacramento Street, which was established in San Francisco’s Chinatown in 1874 as a refuge for vulnerable women.
The Rev. Harry Chuck at Cameron House, photo by author.
I’ve walked or biked past our local “castle” hundreds of times: Its Romanesque Revival campus perched on a hillside above my home town has a magical quality to it, particularly at dusk. In the days when our boys were reading J.K. Rowling’s books, it seemed as if Harry Potter might swoop through it spires any moment during a Quidditch match.
The San Francisco Theological Seminary
